Ce catalogue d'une exposition à la Tate offre un accès sans précédent à la collection de chefs-d'oeuvre expressionnistes exposés ensemble au Royaume-Uni pour la première fois en 80 ans. Rassemblés autour de Wassily Kandinsky et de Gabriele Münter, les artistes expressionnistes ont expérimenté la couleur, le son et la lumière, créant un art audacieux et vibrant. Des enquêtes approfondies sur des thèmes majeurs et une grande variété d'essais offrent une fenêtre intime et éclairante sur un groupe artistique remarquable : leurs voyages et leurs techniques, leurs intérêts et sources d'inspiration, ainsi que les relations qui les unissaient.
An indispensable introduction to the life and work of J.M.W. Turner, whose pioneering explorations into oil and watercolours continue to offer revelatory, definitive interpretations of modern subjects.
David Hockney has been delighting and challenging audiences for sixty years and celebrated artworks from across his career are at the centre of Tate's outstanding collection. This book features over a hundred of these paintings, prints, drawings and photographs, helping the reader to understand the artist's changing sources of inspiration and, crucially, where his work is going. Beginning in the 1950s when he made his first steps to becoming a modern artist, the publication charts Hockney's ground-breaking images of the early 1960s through to his famous depictions of the Los Angeles cityscape. It also looks at Hockney's much-loved portraits from the 1970s and his discovery of a new way of dealing with time, space and perspective he called 'Moving Focus', as well as more recent landscapes and digital images that demonstrate his lifelong preoccupation with pictorial space and how we look at and experience the world around us.
As well as providing a unique overview of Hockney's prolific range and activity, this book features new texts and responses to his work by established and emerging voices from the worlds of art, design, literature and performance. Breathing new life into the nexus of Tate's collection, it speaks to the artist's refusal to conform during periods of uncertainty and polarization as he traversed the boundaries of class, sexuality and high art and how his work still surprises, unsettles and addresses younger generations of viewers.
A fascinating introduction to the life and work of John Constable, highlighting key aspects of his innovative practice and the ways in which he brought a new vivacity to the observation of nature in nineteenth century art.
Ce catalogue conçu comme un beau livre objet accompagne l'exposition présentée à la Tate Britain au printemps 2020. La circulation de l'exposition prévue au musée d'Orsay à partir du mois de juin aura finalement lieu à l'automne 2020.
To accompany a major exhibition of one of the central figures in British art and the first exhibition dedicated to Sickert at Tate since 1960.
Walter Sickert was one of the most influential artists of the late 19th and early 20th centuries. An apprentice of Whistler and close associate of Degas, he engaged with the work of French artists of the time. Sickert in turn influenced many British painters up to the present day.
This book will show how Sickert transformed the representation of everyday life, with his innovative approach to subject matter, radical compositions and the evocation of the materiality of existence in paint. It will explore the changing nature of his work - from an impressionistic approach in the 1880s to a pioneering use of photography in the 1930s - and how he returned over and over to locations and subjects, including his penetrating self-portraits. Sickert's imagination was fuelled by news and current events such as the Camden Town Murders and newspaper photography, but also by popular culture - music halls, the stage, the rise of cinema and celebrity.
Featuring over 200 images from the exhibition and a wide range of essays by scholars, as well as reflections on Sickert's relevance and influence by a selection of contemporary painters including Kaye Donachie and Somaya Critchlow.
'Any fool can paint, but drawing is the thing and drawing is the test. If you are a good draughtsman you are ipso facto a good painter' - Walter Sickert.
The drawings included in this publication reveal the working practice of Walter Sickert (1860-1942), an artist considered by many the 'father' of modern British art. Sickert was a prolific draughtsman throughout his career and used his drawings as preparatory works for his paintings. Drawn from nature, his sketches capture the intricacies of architectures, the infectious thrill of performance, and even the nuances of a subject's character. Sickert frequently visited locations again and again, investing long periods of time in locations to detail certain elements or even redraw entire views. In doing so, he was able to develop ideas and concepts before an image was possibly transferred to canvas.
As a mentor and teacher to a younger generation of artists he also attempted to teach the use of preparatory drawings to his proteges, steering the course of arts practice in Britain. Stored in Tate's collection and archive, this selection of drawings not only serve as a record of Sickert's creative process but express his engagement with the world around him, both in Britain and abroad.
Ce catalogue qui accompagne l'exposition d'Andy Warhol à la Tate de Londres, explore l'ambition illimitée de l'artiste de repousser les limites traditionnelles de la peinture, de la sculpture, du cinéma et de la musique. Il révèle un artiste qui a tout autant embrassé la réussite sociale et son milieu élitiste que les univers alternatifs et controversés, présentant son travail dans le contexte de son temps sans pour autant l'éloigner des préoccupations contemporaines. Avec une contribution unique de l'écrivaine Olivia Laing, une réponse de l'artiste Martine Syms et une interview exclusive avec l'écrivain Bob Colacello.
It was a century of war (mostly) and peace (occasionally), of extraordinary wealth and grinding poverty, gargantuan appetites and desperate famines, high ideals and hypocrisy, a century of intellectual, social and religious turmoil. In this fertile turbulence flourished one of Britain's greatest artists: painter, printmaker, satirist, and social critic William Hogarth, of whom the essayist and poet Charles Lamb once said, 'Other pictures we look at; his pictures we read'.
Illustrating the full range of Hogarth's most important paintings and prints, this book shows them in a new light, juxtaposed with work by major European contemporaries who influenced him or took their inspiration from him in their painting of modern life - including Watteau, Chardin, Troost and Longhi. Hogarth is revealed not only as a key figure in British art history, but also as a major European artist.
It is also a tale of four cities: London, Paris, Venice and Amsterdam, represented in maps from the period. The themes of city life, social protest, sexuality and satire which come to the fore in the art of Hogarth and his contemporaries are very much live today.
Hogarth's pictures are among the most iconic of the eighteenth century - his cacophonous crowds, bustling streets, polite or not-sopolite companies, and all too revealing tales of human folly, vividly bring the world around him to life. Their fame and popularity rests, above all, on their widespread circulation as prints, not only in England but around the globe, from the artist's lifetime to today.
Having first trained as an engraver, this remained an important aspect of his art and success. It is in print that he is often at his most creative and original, capturing, in his own words, 'the perpetual fluctuations in the manners of the times'.
Taking its cue from the portfolio collections Hogarth himself curated, this book gathers together a selection of his best loved and most inventive prints.
Ce petit livre fait un hommage au meilleur ami de l'homme à travers les collections de la Tate, entre beaux-arts et photographie de différentes périodes. On y retrouve bien sûr les chiens de Hockney, mais aussi des sculptures de Henry Bates, des tableaux de Landseer, Hogarth ou Peter Doig et des photos d'Elliot Erwitt, le tout dans une progression thématique.
Although they never met, Hilma af Klint and Piet Mondrian shared a deep dynamic connection to the natural world and began their careers as landscape painters. For them, science and mysticism were not exclusive practices, but part of the same essential framework for understanding the life forces around them.
Both artists engaged with science and esoteric thought as tools for exploring the underlying structures of nature and how they give meaning to art and life. Natural forms are abstracted to their atomic levels; cells evolve, dividing and expanding the canvas in colour; sinuous stems spiral into the ether whilst the crystalline formations of grids stretch out to form an infinite universe.
Including works never before seen in the UK, this publication will elucidate and invigorate our understanding of two ground-breaking artists and will be sure to get synapses firing.
Catalogue d'une exposition à la Tate Gallery à l'hiver 2017. La guerre franco-allemande de 1870 puis la Commune poussent de nombreux artistes à fuir Paris pour s'installer à Londres. Ils y trouvèrent de nouvelles sources d'inspiration et une nouvelle vie artistique, contribuant ainsi au développement de l'art des deux côtés de la Manche. Cette exposition montre Londres par les yeux des artistes français et propose un nouvel éclairage sur ce mouvement artistique.
Pierre Bonnard (1867-1947) was one of a generation of artists that helped transform painting during the first half of the twentieth century. This sumptuously illustrated book reveals Bonnard's transition from great colourist to Modernist master, and emphasises his place within the story of twentieth-century art.
Une nouvelle introduction à l'oeuvre de l'un des artistes les plus célèbres du monde. Les peintures de Vincent Van Gogh (1853-1890) font partie des oeuvres les plus reconnaissables dans l'histoire de l'art. Durant sa courte carrière en tant qu'artiste il aura produit plus de 800 peintures, la plupart créées au cours des deux dernières années de sa vie. Ses réflexions sur la vie et l'art, révélées à travers ses lettres, permettent une compréhension approfondie du parcours de l'artiste dans l'obscurité de sa vie. Son utilisation vivante de la couleur et son pinceau expressif ont influencé artistes et écrivains tout au long du XXe siècle et au-delà. Cette introduction richement illustrée apporte une nouvelle approche à la vie et au travail de ce maître moderne, et réexaminer la formation de la légende Van Gogh ainsi que son héritage.
The journal G appeared between 1923 and 1926 and featured a unique combination of visual works and writings by some of the most important names in European art and design. The list of contributors to the magazine during its short life reads like a roll-call of the avant-garde: it included Hans Arp, Walter Benjamin, Theo van Doesburg, Naum Gabo, George Grosz, Raoul Hausmann, El Lissitzky, Man Ray, Hans Richter, Mies van der Rohe and Tristan Tzara. What this disparate group had in common was a belief in Gestaltung, or 'elemental form-creation', that placed emphasis on the process and the materials through which cultural objects are produced rather than on any 'ism', style or form. In G, works of engineering, technology and popular culture took their place alongside paintings, films, poems and sculptures, creating a complex and vivid image of urban modernity.
While preserving the original graphic design of G, this book makes the journal available for the first time in English, accompanied by an introduction and several incisive essays that explore its contributions to design, film and architecture. Both an invaluable resource to art historians and a delight to all those interested in graphic design, the rebirth of G will fascinate and enthrall a new generation.
In 1849 the Illustrated London News published an exhibition review discussing the life and work of the hugely popular painter of apocalyptic landscapes, John Martin (1789¿1854). This, the artist claimed, was ¿so unfortunate a tissue of errors from beginning to end¿ that he felt compelled to write his own account, in order that it might ¿supersede the unauthorised sketches of my life which have hitherto appeared¿.
That account, the fullest autobiographical statement by the artist, is reprinted here in full, with an introduction and explanatory notes by Martin Myrone. This key document offers a fascinating insight into Martin¿s extraordinary career and the fraught politics of a rapidly transforming art world.
